ꯐꯤꯜꯃꯗ ꯔꯨꯂꯦꯠ

ꯐꯤꯜꯃꯁꯤꯡꯅ ꯎꯠꯄ

ꯃꯤꯑꯣꯏ ꯑꯃꯅ ꯄꯨꯝꯅꯃꯛ ꯃꯁꯤꯡ ꯑꯃꯗ ꯊꯝꯃꯤ (ꯑꯋꯥꯕꯥ ꯊꯦꯡꯅꯔꯀꯄꯗ ꯑꯉꯥꯡꯕꯗꯕꯦꯠꯑꯉꯥꯡꯕꯑꯉꯥꯡꯕ ꯃꯁꯤꯡ 18 ꯗ ꯊꯝꯕ ꯆꯞ ꯃꯥꯟꯅꯕ ꯕꯦꯠ꯫ ꯐ꯭ꯔꯦꯟꯆ: ꯔꯨꯖ꯫ꯃꯄꯨꯡ ꯄꯥꯕꯤꯌꯨ →), ꯆꯛꯔ ꯑꯗꯨ ꯂꯦꯃꯍꯧꯅꯥ ꯀꯣꯏ, ꯕꯣꯜꯈꯨꯠꯂꯥꯏꯕꯣꯜꯔꯣꯇꯔꯒꯤ ꯃꯥꯌꯣꯛꯇ ꯇ꯭ꯔꯦꯛꯇ ꯊꯥꯗꯣꯛꯄ ꯑꯄꯤꯛꯄ ꯕꯣꯜ꯫ ꯍꯧꯖꯤꯛꯀꯤ ꯕꯣꯜꯁꯤꯡ ꯑꯥꯏꯚꯣꯔꯤꯟ ꯅꯠꯔꯒ ꯇꯦꯐ꯭ꯂꯣꯅꯅ ꯁꯦꯝꯃꯤ, 18–21 mm꯫ꯃꯄꯨꯡ ꯄꯥꯕꯤꯌꯨ → ꯑꯗꯨ ꯑꯃꯨꯛ ꯑꯅꯤ ꯆꯣꯡꯗꯨꯅ ꯂꯦꯞꯏ꯫ ꯃꯤꯑꯣꯏ ꯑꯗꯨ ꯍꯤꯔꯣ ꯑꯣꯏꯔꯕꯗꯤ, ꯃꯗꯨ ꯊꯣꯀꯏ; ꯐꯤꯜꯝ ꯑꯗꯨ ꯃꯥꯡꯍꯟ ꯇꯥꯀꯍꯟꯕꯒꯤ ꯃꯇꯥꯡꯗ ꯑꯣꯏꯔꯕꯗꯤ, ꯊꯣꯀꯇꯦ꯫ ꯁ꯭ꯇ꯭ꯔꯦꯠ-ꯑꯞ ꯕꯦꯠ ꯑꯁꯤ ꯂꯥꯏꯅꯥ ꯈꯉꯕ ꯌꯥꯕꯅꯥ ꯈꯅꯏ: ꯆꯤꯞꯁꯦꯜꯆꯤꯞꯂꯦꯞꯂꯕ ꯁꯦꯜꯒꯤ ꯃꯃꯜ ꯇꯥꯛꯄ ꯇꯣꯀꯟ, ꯕꯦꯠ ꯊꯝꯅꯕ ꯂꯦꯑꯥꯎꯠꯇ ꯊꯝꯃꯤ꯫ ꯑꯇꯣꯞꯄ ꯃꯃꯤꯡ: ꯆꯦꯛ꯫ꯃꯄꯨꯡ ꯄꯥꯕꯤꯌꯨ → ꯑꯃꯥ, ꯃꯁꯤꯡ ꯑꯃꯥ, ꯃꯍꯩ ꯑꯃꯥ꯫ ꯐꯤꯜꯝ ꯑꯃꯠꯇꯗ ꯀꯅꯥꯒꯨꯝꯕ ꯑꯃꯠꯇꯅ ꯀꯩꯗꯧꯉꯩꯗꯁꯨ ꯚꯣꯌꯥꯖꯦꯟ ꯗꯨ ꯖꯦꯔꯣꯐ꯭ꯔꯦꯟꯆ · ꯁꯦꯛꯇꯔꯚꯣꯌꯥꯖꯦꯟ ꯗꯨ ꯖꯦꯔꯣ“ꯖꯤꯔꯣꯒꯤ ꯌꯨꯝꯂꯣꯟꯅꯕꯁꯤꯡ”: ꯆꯛꯔꯗ 22 ꯗꯒꯤ 25 ꯐꯥꯑꯣꯕ ꯃꯁꯤꯡ ꯇꯔꯥꯇꯔꯦꯠ, ꯆꯤꯞ ꯃꯥꯄꯟꯅ ꯕꯦꯠ ꯊꯝꯃꯤ꯫ꯃꯄꯨꯡ ꯄꯥꯕꯤꯌꯨ → ꯊꯃꯈꯤꯗꯦ꯫

ꯚꯣꯌꯥꯖꯦꯟ ꯗꯨ ꯖꯦꯔꯣ ꯔꯨꯂꯦꯠ ꯕꯦꯠ

ꯐꯤꯜꯃꯁꯤꯡꯅ ꯑꯔꯥꯟꯅꯥ ꯎꯠꯄ

ꯕꯦꯠ ꯊꯝꯂꯤꯕ ꯎꯠꯂꯕ ꯃꯇꯨꯡꯗ ꯕꯣꯜ ꯊꯥꯗꯣꯀꯏ, ꯃꯁꯤ ꯆꯨꯝꯃꯤ, ꯑꯗꯨꯕꯨ ꯃꯁꯤ ꯆꯦꯛꯀꯟꯗ ꯑꯍꯨꯃꯒꯤ ꯃꯅꯨꯡꯗ ꯂꯦꯞꯏ, ꯃꯁꯤ ꯆꯨꯃꯗꯦ: ꯑꯁꯦꯡꯕ ꯁ꯭ꯄꯤꯟ ꯑꯃꯥ ꯆꯦꯛꯀꯟꯗ ꯅꯤꯄꯥꯟꯗꯒꯤ ꯀꯨꯟ ꯐꯥꯑꯣꯕ ꯆꯠꯂꯤ꯫ ꯃꯤꯑꯣꯏꯁꯤꯡꯅ ꯕꯣꯜ ꯂꯦꯃꯍꯧꯔꯀꯄꯒꯤ ꯃꯇꯨꯡꯗ ꯕꯦꯠ ꯊꯝꯃꯤ, ꯃꯁꯤ ꯗꯤꯂꯔ ꯑꯃꯠꯇꯅ ꯌꯥꯍꯜꯂꯣꯏ꯫ ꯄꯦꯑꯥꯎꯠꯁꯤꯡꯁꯦꯜꯄꯦꯑꯥꯎꯠꯃꯥꯏꯄꯥꯛꯄ ꯕꯦꯠ ꯑꯃꯅ ꯍꯜꯂꯛꯄ ꯁꯦꯜ, ꯍꯜꯂꯀꯄ ꯊꯝꯂꯕ ꯁꯦꯜꯒꯤ ꯃꯊꯛꯇ “X ꯗꯒꯤ 1” ꯍꯥꯌꯅ ꯍꯥꯌꯏ꯫ꯃꯄꯨꯡ ꯄꯥꯕꯤꯌꯨ → ꯃꯌꯦꯛ ꯁꯦꯡꯗꯅꯥ ꯐꯣꯡꯗꯣꯀꯏ (35:1ꯗ $100ꯒꯤ ꯆꯤꯞ ꯑꯃꯗ “ꯅꯍꯥꯛꯅ ꯍꯧꯖꯤꯛ ꯂꯟ-ꯊꯨꯝ ꯃꯥꯏꯄꯥꯀꯈ꯭ꯔꯦ” ꯍꯥꯌꯕ ꯑꯁꯤ $3,500ꯅꯤ)꯫ ꯑꯃꯁꯨꯡ ꯆꯛꯔ ꯑꯗꯨ ꯑꯃꯦꯔꯤꯀꯥꯒꯤ ꯁꯦꯠꯁꯤꯡꯗ ꯌꯥꯝꯅꯥ ꯀꯌꯥꯗ ꯑꯃꯦꯔꯤꯀꯟ ꯑꯃꯁꯨꯡ ꯌꯨꯔꯣꯄꯇ ꯌꯨꯔꯣꯄꯤꯌꯟ ꯑꯣꯏ, ꯃꯁꯤ ꯆꯨꯝꯃꯤ, ꯑꯃꯁꯨꯡ ꯑꯦꯖꯒꯤ ꯃꯇꯥꯡꯗ ꯀꯩꯗꯧꯉꯩꯗꯁꯨ ꯈꯣꯟꯖꯦꯜ ꯊꯣꯀꯍꯟꯗꯅꯥ ꯍꯥꯌꯗꯦ, ꯃꯁꯤꯁꯨ ꯃꯤꯁꯤꯡꯅ ꯋꯥ ꯉꯥꯡꯕꯒꯤ ꯃꯑꯣꯡꯒꯥ ꯆꯨꯝꯃꯤ꯫

Casablanca, 1942

ꯃꯤ ꯈꯨꯗꯤꯡꯃꯛꯅ ꯅꯤꯡꯁꯤꯡꯕ ꯁꯤꯟ ꯑꯃꯈꯛ: ꯀꯦꯐꯦꯒꯤ ꯃꯄꯨ ꯑꯗꯨꯅ ꯅꯍꯥ ꯃꯄꯨꯔꯣꯏꯕ ꯑꯃꯗ ꯃꯍꯥꯛꯀꯤ ꯑꯔꯣꯏꯕ ꯆꯤꯞꯁꯤꯡ 22ꯗ ꯊꯝꯅꯕ ꯍꯥꯌꯏ, ꯑꯃꯁꯨꯡ ꯀ꯭ꯔꯨꯄꯤꯌꯦꯅꯃꯤꯑꯣꯏꯀ꯭ꯔꯨꯄꯤꯌꯦꯔꯨꯂꯦꯠ ꯇꯦꯕꯜ ꯑꯃꯗ ꯂꯩꯕ ꯗꯤꯂꯔ꯫ꯃꯄꯨꯡ ꯄꯥꯕꯤꯌꯨ → ꯃꯗꯨ ꯊꯣꯀꯍꯜꯂꯤ, ꯑꯃꯨꯛ ꯑꯅꯤ꯫ ꯃꯁꯤ ꯆꯛꯔ ꯑꯗꯨ ꯃꯌꯦꯛ ꯁꯦꯡꯅꯥ ꯃꯤꯅꯝꯂꯕ ꯃꯃꯤꯡ ꯂꯩꯕ ꯐꯤꯜꯃꯒꯤ ꯔꯨꯂꯦꯠ ꯁꯤꯟ ꯑꯃꯈꯛꯇꯅꯤ, ꯑꯃꯁꯨꯡ ꯃꯁꯤ ꯁꯥꯟꯅꯔꯤꯕꯒꯤ ꯃꯥꯌꯀꯩꯗ ꯃꯤꯅꯝꯂꯤ꯫ ꯌꯦꯡꯂꯤꯕꯁꯤꯡꯅ ꯃꯁꯤ ꯅꯨꯡꯁꯤꯖꯩ ꯃꯔꯃꯗꯤ ꯃꯁꯤꯅ ꯁꯥꯟꯅꯔꯤꯕ ꯈꯨꯗꯤꯡꯃꯛꯅ ꯁꯔꯨꯛ ꯑꯍꯦꯟ ꯊꯥꯖꯔꯤꯕ ꯑꯗꯨ ꯎꯠꯂꯤ: ꯃꯍꯩ ꯑꯗꯨ ꯀꯅꯥꯒꯨꯝꯕ ꯑꯃꯅ ꯂꯧꯈꯤꯕ ꯋꯥꯔꯦꯞ ꯑꯃꯅꯤ ꯍꯥꯌꯕ꯫ ꯑꯁꯦꯡꯕ ꯆꯛꯔ ꯑꯃꯗ ꯃꯗꯨ ꯅꯠꯇꯦ꯫

ꯑꯣꯅꯂꯥꯏꯟ ꯔꯨꯂꯦꯠ ꯃꯤꯅꯝꯕ ꯂꯩꯕꯔꯥ? ꯑꯔꯥꯟꯕ ꯊꯥꯖꯕ

ꯈꯉꯒꯗꯕ ꯑꯇꯣꯞꯄ ꯁꯤꯅꯁꯤꯡ

The Honeymoon Machine (1961)ꯗ ꯅꯣꯃꯥꯏ ꯑꯅꯤꯅ ꯚꯦꯅꯤꯁꯀꯤ ꯀꯦꯁꯤꯅꯣ ꯑꯃꯒꯤ ꯆꯛꯔ ꯃꯥꯏꯊꯤꯍꯟꯅꯕ ꯅꯦꯚꯤꯒꯤ ꯀꯝꯞꯌꯨꯇꯔ ꯑꯃꯥ ꯄꯥꯟꯊꯣꯀꯏ, ꯊꯣꯔꯞ ꯑꯃꯁꯨꯡ ꯁꯦꯅꯟꯅ ꯂꯥꯁ ꯚꯦꯒꯥꯁꯇ ꯑꯁꯦꯡꯕ ꯑꯃꯥ ꯇꯦꯁ꯭ꯠ ꯇꯧꯈꯤꯕ ꯆꯍꯤ ꯑꯗꯨꯃꯛꯇ꯫ ꯃꯇꯨꯡꯗ ꯊꯣꯔꯄꯅ ꯀꯝꯞꯌꯨꯇꯔ ꯑꯃꯠꯇꯅ ꯆꯨꯝꯅꯥ ꯄꯣꯀꯦꯠꯈꯨꯠꯂꯥꯏꯄꯣꯀꯦꯠꯔꯣꯇꯔꯗ ꯂꯩꯕ ꯃꯁꯤꯡ ꯏꯔꯕ ꯀꯣꯠ 37 ꯒꯤ ꯃꯅꯨꯡꯗ ꯑꯃꯥ꯫ ꯑꯇꯣꯞꯄ ꯃꯃꯤꯡ: ꯁ꯭ꯂꯣꯠ, ꯀꯞ꯫ꯃꯄꯨꯡ ꯄꯥꯕꯤꯌꯨ → ꯍꯥꯌꯕ ꯉꯃꯗꯦ ꯍꯥꯌꯅ ꯇꯥꯀꯈꯤ, ꯃꯔꯃꯗꯤ ꯐ꯭ꯔꯦꯠꯁꯤꯡꯗꯈꯨꯠꯂꯥꯏꯐ꯭ꯔꯦꯠꯆꯛꯔꯗ ꯄꯣꯀꯦꯠ ꯑꯅꯤꯒꯤ ꯃꯔꯛꯇ ꯂꯩꯕ ꯃꯦꯇꯦꯂꯒꯤ ꯈꯥꯌꯗꯣꯛꯄ꯫ꯃꯄꯨꯡ ꯄꯥꯕꯤꯌꯨ → ꯆꯣꯡꯕꯅ ꯕꯣꯜ ꯑꯗꯨ ꯁꯟꯗꯣꯀꯏ; ꯐꯤꯖꯤꯛꯁꯅ ꯁꯦꯛꯇꯔꯆꯛꯔꯁꯦꯛꯇꯔꯆꯛꯔꯗ ꯃꯔꯛ ꯂꯩꯇꯅ ꯃꯈꯥ ꯆꯠꯅꯅ ꯂꯩꯕ ꯄꯣꯀꯦꯠꯁꯤꯡꯒꯤ ꯁꯔꯨꯛ, ꯂꯦꯑꯥꯎꯠꯇ ꯂꯩꯕ ꯀꯥꯡꯂꯨꯞ ꯑꯃꯗꯒꯤ ꯇꯣꯉꯥꯟꯅ꯫ꯃꯄꯨꯡ ꯄꯥꯕꯤꯌꯨ → ꯑꯃꯈꯛ ꯐꯕ ꯄꯤꯕ ꯉꯝꯃꯤ꯫ Run Lola Run (1998)ꯅ 20ꯗ ꯃꯥꯔꯛ 100 ꯊꯝꯃꯤ, ꯑꯃꯨꯛ ꯑꯅꯤ, ꯑꯃꯁꯨꯡ ꯐꯤꯜꯝ ꯑꯗꯨꯅ ꯃꯍꯩ ꯑꯗꯨ ꯄꯥꯝꯕꯩꯒꯤ ꯁꯛꯇꯤ ꯑꯣꯏꯅ ꯂꯧꯏ꯫ Croupier (1998) ꯑꯁꯤ ꯗꯤꯂꯔꯒꯤ ꯃꯥꯏꯀꯩꯗꯒꯤ ꯎꯠꯄ ꯈꯟꯗꯕ ꯐꯤꯜꯝ ꯑꯃꯅꯤ ꯑꯃꯁꯨꯡ ꯃꯑꯣꯡ ꯑꯗꯨ ꯆꯨꯝꯅꯥ ꯎꯠꯂꯤ꯫ ꯕꯣꯟꯗꯅ ꯃꯍꯥꯛꯀꯤ ꯃꯃꯤꯡ ꯊꯧꯔꯥꯡꯒꯤ ꯁꯦꯛꯁꯅꯗ ꯐꯣꯡꯗꯣꯛꯂꯤꯕ 14-5-1ꯒꯤ ꯁꯟꯗꯣꯛꯄ ꯕꯦꯠꯇ ꯄꯤꯔꯤ, ꯅꯣꯚꯦꯂꯁꯤꯡꯗꯗꯤ ꯃꯍꯥꯛꯅ ꯗꯖꯟꯕꯦꯠꯗꯖꯟ1–12, 13–24 ꯅꯠꯔꯒ 25–36, 2:1 ꯄꯦꯑꯥꯎꯠ꯫ꯃꯄꯨꯡ ꯄꯥꯕꯤꯌꯨ → ꯑꯅꯤꯗ ꯕꯦꯠ ꯊꯝꯃꯤ꯫ The Gambler (1974 ꯑꯃꯁꯨꯡ 2014)ꯅ ꯔꯨꯂꯦꯠꯇꯒꯤ ꯍꯦꯟꯅꯥ ꯂꯦꯞꯄ ꯉꯃꯗꯕ ꯄꯥꯝꯕ ꯑꯗꯨ ꯈꯉꯏ꯫ Indecent Proposal (1993)ꯅ ꯇꯦꯕꯜ ꯑꯁꯤ ꯂꯨꯍꯣꯡꯕ ꯑꯃꯒꯤ ꯃꯃꯜ ꯊꯥꯕ ꯃꯇꯝ ꯑꯣꯏꯅ ꯁꯤꯖꯤꯟꯅꯩ꯫

ꯔꯨꯂꯦꯠ ꯆꯛꯔꯒꯤ ꯐꯤꯖꯤꯛꯁ

ꯁ꯭ꯛꯔꯤꯟꯗ ꯃꯁꯤ ꯀꯔꯤꯒꯤ ꯊꯕꯛ ꯇꯧꯕꯒꯦ

ꯔꯨꯂꯦꯠ ꯁ꯭ꯄꯤꯟ ꯑꯃꯥ ꯆꯦꯛꯀꯟꯗ ꯇꯔꯥꯃꯉꯥꯗ ꯃꯄꯨꯡ ꯐꯥꯕ ꯋꯥꯔꯤ ꯑꯃꯅꯤ: ꯊꯝꯂꯕ ꯁꯦꯜ, ꯑꯀꯤꯕ-ꯉꯥꯏꯕ, ꯂꯣꯏꯁꯤꯅꯕ꯫ ꯃꯁꯤꯗ ꯇꯥꯀꯄꯤꯕ ꯑꯃꯁꯨꯡ ꯃꯥꯌꯣꯛꯅꯔꯤꯕ ꯃꯊꯧ ꯇꯥꯗꯦ꯫ ꯐꯤꯜꯝ ꯁꯦꯝꯕ ꯃꯤ ꯑꯗꯨꯅ ꯃꯍꯩ ꯑꯗꯨ ꯀꯟꯠꯔꯣꯜ ꯇꯧꯏ, ꯃꯁꯤ ꯑꯁꯦꯡꯕ ꯁꯥꯟꯅꯔꯤꯕ ꯑꯃꯅ ꯇꯧꯕ ꯉꯃꯗꯕ ꯄꯣꯠ ꯑꯃꯈꯛꯇꯅꯤ, ꯑꯃꯁꯨꯡ ꯃꯤꯑꯣꯏꯁꯤꯡꯗꯒꯤ ꯍꯦꯟꯅꯥ ꯑꯣꯗꯁ ꯈꯉꯗꯕ ꯌꯦꯡꯂꯤꯕꯁꯤꯡꯅ 2.70%ꯒꯤ ꯁꯣꯠ ꯑꯗꯨ ꯂꯦꯞꯄ ꯑꯁꯤ ꯐ꯭ꯔꯣꯗ ꯑꯣꯏꯅ ꯅꯠꯇꯅꯥ ꯗ꯭ꯔꯥꯃꯥ ꯑꯣꯏꯅ ꯂꯧꯏ꯫

ꯋꯥꯍꯪꯁꯤꯡ